Kathie Olivas is an internationally exhibited multi-media pop-surrealist from New Mexico. Through her current body of work, the Misery Children, she explores society’s insatiable desire to assign ‘cuteness’ and our discomfort with the unknown. A dark blend of early American portraiture set in post apocalyptic times, Kathie’s paintings and custom toys are a satirical look at how fear affects our sense of reality. One of the central questions raised in Kathie’s work is that of ‘what if’: what if these ‘cute’ creatures had their own agenda? Are they attune to something beyond our understanding, or are we simply too cowardly to acknowledge it? Are their misshapen limbs and plated mouths a deformation from living in a desolate wasteland,or perhaps an adaptation for protection? The Misery Children are meant to evoke a nostalgic reaction that reflects isolation, fear and an uncertainty, yet they also act as empowered alter egos. While these characters explore their new lonely worlds, they double as our narrators. They guide us through their reality as they experience it and yet, even in their company, we are granted no reassurance.

Black Nosed Rosie, acrylic, oil, and epoxy resin on cast resin, 15 in tall, 2016
Black Nosed Rosie, acrylic, oil, and epoxy resin on cast resin, 15 in tall, 2016


2013, Oil on Linen, 48 x 36 in.


2013, Oil on Linen, 48 x 36 in.


2017, Flood Oil, Acrylic, Glass Gems & Found Objects on Wood Panel with Art Resin & Antiqued Finish, 24 x 12 in.

Witching Hour

2017, Oil, Acrylic, & Found Objects on Wood Panels with Art Resin & Antiqued Finish, 61 x 30 in.


2017, Mixed Media, 12.5 in.

Two Faced Girl Series: Channeler

2017, Mixed Media, 23 in.

Valentine Clover

2017, Mixed Media, 11 in.


2017, Resin and Mixed Media, 24 in.

Lizzie Vengeance

2017, Resin & Mixed Media, 25 in.


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